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All God's Children Need Traveling Shoes | 
| Author: Maya Angelou
Publisher: Vintage
Category: Book
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Rating:  17 reviews
Sales Rank: 51351
Media: Paperback
Number Of Items: 1
Pages: 224
Shipping Weight (lbs): 0.5
Dimensions (in): 7.9 x 5.2 x 0.6
ISBN: 067973404X
Dewey Decimal Number: 818.54092
EAN: 9780679734048
ASIN: 067973404X
Publication Date: June 4, 1991
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| Customer Reviews: Read 12 more reviews...
 what book? October 1, 2008
I never received my order and the company just blamed it on slow mail. I waited over a month before getting my money back.
 The Hobo Philosopher July 2, 2008
0 out of 1 found this review helpful
A rather nice lady gave me this book and asked me to read it. I did. When I returned it to her I asked her why she wanted me to read it. I had never heard of Maya Angelou and unfortunately I found the book very unimpressive. The writing was done well and the phrasing was nice but as far as having something to say, I thought that it was rather shallow. I thought the author of the book to be rather mediocre, somewhat insensitive, and very much enamored with herself. This wasn't the life of Mahatma Gandhi or Desmond Tutu. She seemed to me to be a typical woman on a personal journey to success and all the people around her were stepping stones along that path.
Since that time I have picked up tapes of poetry by Maya and I enjoyed them - not so much for the content but for the presentation. Sorry. We all have our opinions.
Books written by Richard Noble:
"Hobo-ing America: A Workingman's Tour of the U.S.A.."
"A Summer with Charlie"
"A Little Something: Poetry and Prose"
"Honor Thy Father and Thy Mother"
Through Angelou's Eyes August 11, 2006
4 out of 4 found this review helpful
From purely a literary standpoint, I find ALL GOD'S CHILDREN NEED TRAVELING SHOES perhaps the best of Angelou's series of autobiographical works that I have encountered thus far. It is the fifth "installment," having been preceded by I KNOW WHY THE CAGED BIRD SINGS, GATHER TOGETHER IN MY NAME, SINGIN' AND SWINGIN' AND GETTIN' MERRY LIKE CHRISTMAS, and THE HEART OF A WOMAN. While I suppose that any of these could be read in isolation, to do so would be analogous to reading a single chapter from a full-length novel. One may enjoy the contents of that single chapter but will miss all the background material that explains how the characters reached that point in time and space as well as everything that follows to explain and wrap-up the story. For the same reasons, one really should read each of Angelou's books and in chronological order, too. Consequently, if one is examining reader reviews before purchasing ALL GOD'S CHILDREN, and if this is the first of Angelou's books being considered, please wait. Reading the others first will enhance significantly the reader's enjoyment of this one.
Pure autobiographies tend, in my experience, to be rather dull reading for the most part. Where is the excitement in a list of events and dates? That sort of dry recitation of historical facts is the reason that most of us were likely bored to somnambulance by our high school history textbooks. Happily, this is not at all that sort of autobiography. What one finds in Angelou's books is the world seen through her eyes and interpreted by her mind, and she carries with her the filters built strand by strand by her life experiences.
What "life experiences"? Being born Black into a legally, socially, culturally and thoroughly segregated country. Being abandoned by one's father. Being shipped across country by one's mother to be raised by an aging grandparent. Feeling the constant scorn and belittlement fostered by racial segregation. Bearing a child when one is still herself a child. Being duped by another into prostitution. Failing at an attempt at marriage. On the other hand, conversing with such figures as Martin Luther King and Malcolm X. Touring Europe as member of a musical cast. Living in Africa. Angelou's experiences, both negative and positive, were emotionally extreme, or at least significant, events, and they created interpretative filters that are quite different from those of essentially all of her readers. This difference is what makes her books captivating to read and worthy of her readers' consideration.
I suggest that the epitome of Angelou's skill as a prose author of the first five books I have mentioned above comes in the closing chapter of ALL GOD'S CHILDREN. Her encounter with the Ewe tribal women in the marketplace in Ghana's village of Keta is expressed in nearly supernatural terms. In the actual event, she is merely mistaken for another person, but, to Angelou, the encounter firmly establishes Africa as her spiritual homeland, the origin of her own ancestors who, generations earlier, were sold into slavery in a strange land across the ocean. The skill with which she describes her feelings at this encounter is one to which any writer might aspire.
I must admit to another aspect of Angelou's writing that I find almost annoying, however, and that is her repeated and continuous reference to the effects of slavery. If any evil exists in the universe, if sin seeks an embodiment, if a cause for all the misery in the contemporary world must be identified, Angelou finds it in slavery. Judging solely by the attitude revealed in these five books, one could conclude only that all Caucasians are blue-eyed devils, that they alone made possible the eternal and unforgivable sin of enslavement, that no redemption is possible and that racial integration is never achievable or even desirable. If there is such a concept as "original sin," it has nothing to do with a mythological Adam or Eve in a "garden of Eden" but rather with the insufferable conceit of Whites and the horror of slavery, most particularly slavery in the United States. To judge by the attitude that pervades these five books, one would think that Angelou was herself born into slavery, exploited economically and sexually by her White masters, and denigrated to the very edge of sanity. Not to excuse or to minimize in any way the physical and emotional pain of slavery, its immorality or absence of any ethical justification whatsoever, but "methinks the lady doth protest too much." She claims for herself an understanding of the debasement of slavery that her own history does not support. She assumes a mantle as spokesperson for long dead generations that she is not qualified to wear. To what extent historical slavery and racial prejudice may bear the blame for what were her own poor choices in life I am hardly qualified to say, yet I would caution the reader to bear in mind the fact that we are seeing events through the author's intellectual filters and that no one's filters are totally objective.
Having said that, I hurriedly add that my critical observation should in no way deter anyone from reading Angelou's books. On the contrary, while I may feel that she is at times presumptuous in assuming spokesperson status on the topics of slavery and contemporary racial bigotry, her perceptions provide many revelations for her readers and are worth noting. On now to the next book of this series, A SONG FLUNG UP TO HEAVEN.
Her Poems September 25, 2005
her poems are so great. They teach great valuable lessons that we should all here.
Great. April 23, 2004
3 out of 3 found this review helpful
I thought it was a great book. It was my first ever read of Maya Angelou. I think the book has made me a fan of her. Her style of writing was mellifluous, sincere, and truthful.I am not a very emotional person, but the part that made my eyes water was when Maya went to the market in Kato, as the book ended. She met Ewe women who instantly confused her for an Ewe. They were sure Maya was an Ewe decendant because of her features and tone of voice. Once, she was mistaken for a Bambara, and an Ahanta as well. It was beautiful. I admire Maya for her having fortitude and being curious and passionate. She loves her people and was more than willing to come back home to America to help them by working for Malcolm X, promoting civil rights, et al. I have great respect for her. She also learnt how to speak the Fanti language, which I would guess was not easy. It was a great autobiography. I wonder what would have happened if she had married the Malian Fulfulde man.
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